exhaustion in days of fury (2017/2022) 6 min
duo for alto saxophone (with toothbrush) and percussion (two crash cymbals, splash cymbal, hi-hat cymbal, tom-tom, conga, brushes, two toothbrushes, superball mallet, brush)
Kib (2021) 5 min
for instagram-streaming duo: percussion (serrated boxes, three distinct groups of loose objects (metals, rubber/odds and ends, woods), three bins) and piano + three resonant metals, with each performer streaming from their phone/small smart device/beater
Hear There (2021) 5 min
solo for french horn and indeterminate ambient noise
convenient words/exactly lost (2021-2022) 9 min (three movements)
text by Bradley Njus
solo for spoken word and car interior percussion
Shadow’s Long Reach (2021) 2 min
solo for bassoon, car headlights, and night-time ambient noise
Possibility of Routine (2021) 3 min
text by Ralph Lewis
mezzo-soprano and piano
Still People (2021) 9 min
extended piano for six hands (no piano preparations)
Straight into Tangles (2021) 8 min
for Live-to-Zoom full orchestra (2221-2221-two perc.-strings)
Another Chance So Suite (2020-2021) 9-12 min
solo for percussion (eight small objects and re-tuned autoharp)
demoted notion (2020) 1 min
flauto d’amore
MoxTube (2020) 5 min
interactive YouTube video for laptop performer or performers (or audience) and clarinets
Night Tours (2019) 5 min
guitar ensemble
Can’t Take You Anywhere (2019) 6 min
solo for cello and triggered fixed media
Child of Noise (2019) 8 min
for large new music ensemble (1111-1110-harp-piano-strings)
Werewolves of Parking (2019) 5 min
piano chamber concerto (piano, flute, clarinet, violin, and cello)
DuoTube (2018) 5 min
interactive YouTube video for laptop performer or performers (or audience)
Nightpartches (2018-ongoing series) 6 min (eventually 14 min)
song cycle for solo performer (Harry Partch’s adapted viola and intoned voice)
* Currently a sub-set of three songs is available that function as a complete but smaller unit
** versions of Nightpartches for solo violin and voice, solo viola and voice, and solo cello and voice are available.
Pioneer’s Rest (2018) 4 min
for full orchestra ((2222-2220-timp-1 perc.-strings)
Losing Constellations (2018) 6 min
string quartet and triggered fixed media
Losing Constellations (2017) 6 min
string quartet
30 Firsts (2017) 2 min
clarinet solo
Get to the Point (2017) 27 min
four indeterminate pieces for three or more performers
American Dawn (2017) 18 min
dance score for flute, oboe, percussion (vibraphone, 2 bongos, cymbal, two tom-toms, kick drum, mallets, superball mallet , bow), and double bass
Taleas (2017) 6 min
dance score for flute, clarinet, and violin
Fearless Reception (2016) 30 min
The first movement is co-composed with Ileana Merary and Florence Project
radio art/concert work for live speaker/singer, soprano/tenor saxophone, piano, violin, and stereo fixed media
Unwinding with Penelope (2016) 6 min
violin and viola in 14 EDO
social pressures on the moon (2016) 6 min
flute, oboe, soprano saxophone, bass clarinet, and trombone
critical band-aid (2016) 4 min
flute, Bb clarinet, trombone, violin, and double bass
Drive to the Edge (2015-2016) 15 min
four movement interactive transmission work for radio broadcast and driving listeners
Print-Throughs (2015) 3 min
bassoon quartet
blowviato (2014) 8 min
udderbot, trumpet, and bass trombone
seether-teether (2014) 4 min
historical performance wind quintet
Cover and Murmuration (2012) 12 min
laptop quartet
Ruckus from the Quiet Zone (2011) 15 min
udderbot/flute, clarinet, trombone, harmonic canon, and violin
Thereminnards (2011) 8 min
udderbot, bass trombone, and fixed media
Invisible Harvest (2009) 9 min
Poems by Thomas John Carlisle
soprano, flute, piano, violin, and cello
witch children (2009) 6 min
string orchestra or string quintet
I was on the Side of the Highway (2009) 6 min
bassoon
Ralph Lewis: Composer 